Agnews

Brussels

Booth N°1

The renowned London gallery, Agnews, founded in 1817, specialises in the sale of works by old and modern masters. The gallery is renowned for its expertise in the field of painting, but has also been very active in the world of works on paper and antique prints.
In order to continue and strengthen this tradition, Agnews has founded a new company in Europe, located in Brussels.
Under the direction of Eric Gillis and Noémie Goldman, formerly partners under the name ‘Gillis Goldman Fine Art’, the new gallery participates in international fairs, organises exhibitions and presents drawings, paintings and sculptures from the 19th century to the early 20th century, as well as prints by old and modern masters. Eric Gillis and Noémie Goldman enjoy an unrivalled reputation in these fields. Every January, they exhibit their selection of prints in New York and publish a catalogue featuring prints from the 16th to the 20th century, acquired by leading museums. In 2025, Agnews opened an office in Paris, offering the French public privileged access to its selection of prints, under the supervision of their new colleague, Sarah Avenel-Tafani.

Artists presented at the Paris Print Fair

MARTIN SCHONGAUER
LUCAS CRANACH
ALBRECHT DÜRER
JUSTE DE JUSTE
CLAUDE MELLAN
JACQUES CALLOT

CLAUDE GELÉE, dit LE LORRAIN
REMBRANDT HARMENSZOON VAN RIJN
GIOVANNI ANTONIO CANAL, dit CANALETTO
HONORÉ DAUMIER
CAMILLE PISSARRO
EDGAR DEGAS
RODOLPHE BRESDIN
FÉLIX BRACQUEMOND
FÉLICIEN ROPS
ODILON REDON
FÉLIX VALLOTTON

Information

11 rue Paul Emile Janson
1050 Bruxelles
Belgique
+32 470 951 777
noemie@agnewsgallery.com

Giuseppe Scolari
(1550? – Vincenza – 1625?)
Ecce Homo
Woodcut printed on laid paper, circa 1597
Plate: 349 x 325 mm
Watermark: letters PG
Reference: Baseggio, no. 6 (as Domenico dalle Greche after Titian);
Passavant, no. 31 (as Domenico dalle Greche after Titian);
Rosand & Muraro, no. 102, single state
Provenance: Private collection, Italy

François Chauveau (1613 – Paris – 1676)
Various masks
Engravings on laid paper, ca. 1660
Plates: ca. 40 x 63 mm
Reference: Inventory of the French Collection 1571–1589
Provenance: Rijksprentenkabinet, Amsterdam (Lugt 2228a); Private collection, Germany
Detail of a single copy

Camille Pissarro (1830 Saint Thomas – Paris 1903)
Self-portrait
Etching and drypoint on vellum paper, circa 1890–91
Signed lower right in pencil C. Pissarro, numbered n° 24 on the left, and titled Portrait de C.P. below
Plate 185 x 177 mm
Reference: Delteil 90, 2nd state of two; Leymarie 89, 2nd state of two

Bibliography: Barbara Shapiro, Camille Pissarro the Impressionist Printmaker, Boston, 1973, no. 34;
Barbara Shapiro, in Pissarro, exhibition catalogue, Paris, Grand Palais, 1981, no. 184;
Nicole Minder, Degas et Pissarro, Vevey, 1998, no. 8
Provenance Private collection, Switzerland