Jurjens Fine Art
Jurjens Fine Art deals in high quality drawings and prints with a strong focus on early impressions, rare states, and extraordinary works by important printmakers, dating from the 15th up to the 20th century. Our clients are museums, institutions and private collectors, whom we advice and assist in building their collections. We are proud to be a member of the IFPDA and CSEDT, a recognition of the outstanding quality of our artworks and service.
All works offered are available for viewing in our gallery in Amsterdam, by appointment. Further information, extensive catalogue entries, artist biographies, and condition reports, as well as high-resolution digital imagers of each print are available on request.
Artists presented at the Paris Print Fair
ALBRECHT ALTDORFER
HANS SEBALD BEHAM
RODOLPHE BRESDIN
DOMENICO CAMPAGNOLA
FRANÇOIS COLLIGNON
ALBRECHT DÜRER
HENDRICK GOLTZIUS
HENDRICK GOUDT
DANIEL HOPFER
CLAUDE LORRAIN
REMBRANDT VAN RIJN
HERMAN VAN SWANEVELT
Information
Amsterdam 1094 EA
The Netherlands
+31 6 57 55 57 34
info@jurjens-fine-art.com
JACQUES CALLOT (Nancy 1592 – 1635 Nancy), Portrait of Charles Delorme, 1630. Etching. 18.7 x 11.6 cm. With the Latin phrases Herbis et amore Dianæ and Dis geniti potuere in the banderoles below in the Ouroboros, and with nine lines of Latin text in the margin: D.D. Carolo Delorme (…) ad Instar erit. Signed and dated: Iacob Callot Nobilis Lotharing fecit, vouit, dicauit Nancej M.D.C.XXX. Literature: Meaume 506; Lieure 662 (undescribed state in between I-II (II); IFF 662 . Courtesy Jurjens Fine Art.
RENÉ BOYVIN (Angers ca. 1525– after 1580 Angers), after Rosso Fiorentino (1494–1541), after Léonard Thiry (c. 1500–c. 1550). Hoc Pietatis Opus, 1545-55. Engraving. 31.7 x 43.3 cm. With the title and two lines of Latin in the lower margin: HOC PIETATIS OPVS/ Neglectis opibus cum munere sortis iniquæ,/ Baiulat hæc Matrem, Baiulat ille patrem. Signed in the left lower margin left ROVS · FLORENT · INVENT · and at the right Renatus B Andegauensis Faciebat/ Luteciæ Parisiorium/ ·RB· (intertwined), and with the publisher’s address in lower right corner Aug. Quesnel excud. Watermark Crowned shield with lilies and grapes Literature Robert-Dumesnil 17 II (III); Le Blanc 178 II (III); IFF II (II); Carroll 1987, Cat. No. 80; Jenkins 2017, Cat. Nr. Anon. 6. Courtesy Jurjens Fine Art.
HIERONYMUS BOSCH (Hertogenbosch c. 1450 – 1516 ’s Hertogenbosch), engraved by Pieter van der Heyden (1551-1572). Parable of the Two Blind Men, c. 1540-70. Engraving. 22.2 x 25.7 cm. Signed in the image, lower right: H·Bos · inventor / H· Cock · excud / PAME (intertwined, the monogram of the engraver). Ten lines of verse in two columns in the lower margin, five in Latin, five in French: Caecus ducem se … que corruant foßam? / Voÿez comment le … et son escorte. Watermark: High Crown. Literature: Hollstein (Bosch) 21 I (V); Hollstein (Van der Heyden) 20 I (V).
Exhibition: Amsterdam, Museum Het Rembrandthuis. Een rijke traditie. Twee eeuwen Nederlandse prentkunst uit privébezit, 1 October, 2015 – 24 January, 2016, Cat. No. 10, p. 24, with illustration.
Courtesy Jurjens Fine Art.